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It’s a shame, since the first installment proved that these comics don’t have to suck.This week, I'm looking at two episodes from X-Men: The Animated Series' debut season that eclipse two big-budget Fox films with similar plots.Īnd, hey, looks like two sections didn't survive someone's final edit in the actual article.Īpocalypse is voiced by John Colicos, the actor who played the first ever Klingon on Star Trek, Commander Kor. The story isn’t as much of a mess as the art, but it’s close. There’s no resolution, as the issue just ends with a big explosion and another hint that a sequel is on the way. Another abandoned idea is the concept that the X-Force and Youngblood team-up is actually helping Mojo, since it boosts his ratings. Shatterstar perks up when he hears Longshot’s name, reviving the long-forgotten hint that he’s Shatterstar’s father, but it’s another idea that isn’t addressed by the story’s end. There’s also an abortive plot thread about Shatterstar, Siryn, and Warpath abandoning Cable during the fight with Mojo’s minions because they feel he’s wasting time. He’s freed during the final pages, as Mojo escapes the fight, and has literally nothing to do. Dazzler’s “death” is resolved, but Longshot is thrown into the story for no real reason. Not only is the plot an awkward fit with the first chapter (Ricochet Rita is given a lot of attention in the opening, while Mojo II, a fairly prominent character in the first chapter, has just disappeared in-between issues…plus, the idea that Badrock would be a “savior” to Mojoworld is forgotten), but it also introduces ideas seemingly at random that are never resolved.Īfter the issue opens with a lengthy monologue by Ricochet Rita, lamenting Dazzler’s death, Rita disappears without explanation. The wit of Stephenson’s first script is gone, as the characters are now incredibly stiff and barely anyone shows signs of a personality. This just reads like a generic team-up of generic ‘90s heroes fighting generically ugly ‘90s villains. The first chapter of the crossover was at least coherent and enjoyable on its own terms. Why, it’s almost as if the book was thrown together at the last minute to meet a deadline. As the story progresses, the amount of detail lines drop, and the composition somehow manages to get even worse:īy the time you reach the final pages, the art looks like a napkin sketch that was blown up to standard comic size: It ain’t pretty, but you at least have the impression that some effort went into this. The issue opens with Stephen Platt doing his standard McFarlane/Adams impersonation: Apparently, each individual pouch on a character’s costume required its own artist, so approximately nine thousand people were brought in to draw this thing. Review: Okay, this one is the mess you were probably expecting.
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I Love the ‘90s: Badrock calls breaking through a wall his impression of the sitcom Home Improvement. Gimmicks: There’s an alternate cover by Rob Liefeld that manages to get the title mixed up. She hid out in Youngblood’s ship and emerged when they reached Mojoworld. After Mojo’s nexus in the Extreme Universe was destroyed, his magic wore off and she returned to normal. Badrock and Caliban protect their teammates from the debris, but Mojo escapes.Ĭontinuity Notes: Dazzler reveals that she was actually Mojo’s servant, the Agent, from the first chapter of the crossover. She takes Shaft and Shatterstar to Mojo’s dungeon to release Longshot, as the united teams confront Mojo. The heroes are shocked when Dazzler emerges from Youngblood’s craft.
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With Youngblood’s help, X-Force defeats the Four. Meanwhile, Youngblood member Sentinel develops a transdimensional accelerator that enables the team to return to Mojoworld. Mojo enlists the aid of Youngblood’s enemies, the Four, to squelch the rebellion. Summary: X-Force rejoins Ricochet Rita in the fight against Mojo. Credits: Eric Stephenson & Robert Napton (writers), Stephen Platt, Dan Fraga, Richard Horie, Ching Lau, Michael Linchang, Mark Pajarillo, & Andy Park (pencilers), Marlo Alquiza, Eric Cannon, Robert Lacko, Sean Parsons, Norm Rapmund, & Lary Stucker (inkers), Kurt Hathaway (letters), Dan Shadian, Extreme Color, & Quantum Color (colors)